Wednesday, January 4, 2017

Pantone Colors for 2017 – Wow! It’s Greenery!

You can find this post on my website here:

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Stay Wired Up!

Thursday, June 23, 2016

New Posts on the Wire Rapper Blog

 While my main blog has moved to my website:, I will continue to post links to the new blog posts here. I hope you enjoy them. Have a wonderful day, and...Stay Wired Up!

Working with the Pantone Colors for 2016
Wire Weaving and Refining your Toolbelt - Part 1

Wednesday, April 13, 2016

Never Give Up

Depressed2You know...I've struggled with blogging as of late. There are a couple of reasons, but mostly just feeling "stale" in my thoughts. I try to make lists of things to chat about, and trust me, I do not lack for things on my list. I guess it is just a matter of feeling like someone might want to read what I write, that anyone would value my thoughts. After all, I am just like the rest of you, a struggling artist trying to make a living at what I love.

I did a show this last weekend, and actually it wasn't a huge show, but just a local festival, the Texas Wine and Art Festival. I have done this festival for four years, with a break in there when we lived in Florida for a year. It has always been an absolutely wonderful show for me from the get-go, and has always yielded me some of my greatest sales. Not only that, but I have met some wonderful people and wonderful friends. Some of us have booths next to each other every year, and all of us hug and chat when we see each other.

What I want to relay  in this message is this: I have been weaving wire for four years now, and it is starting, finally, to be more than just a love for me. Not only am I making money at it (not huge money. Don't get me wrong.), but I am starting to see return customers. And even more importantly, I am seeing people who truly appreciate the art that I represent. I see the real love for what I do. I get so excited when I hear someone remark that they have never seen anything like my work, or that they love the designs and the neatness, or that they just can't live without a piece for their collection. I also love to see that husband set down his credit card when he sees his wife fall in love with that special piece of jewelry she would just love to have. Many wives or girlfriends have walked out of my booth with tears in their eyes. How can I not want to be a part of that???

Have I struggled? You bet!! I've struggled to the point of giving up all together. Many a time have I sat in tears, wondering if I should just give it all up. After all, what I do is not cheap. Wire and stones are all expensive, and to keep stock so I can keep working at a consistent pace is a struggle, as well. Many of you may be chuckling at this point, because you know that I am a complete and utter cabochon addict and know I will never ever run out of stones to wrap! But, like anything, there are costs to what I (we) love to do.

I thank God every day that I have a husband that supports my love for art, and it doesn't hurt that he is also an artist. Not everyone is as fortunate as I am. Not every artist can do shows, and not all of us display our work as we should to get the kudos we all deserve.

My recommendation to you all, whether you display your work or not, is to keep on keeping on. If you love what you do and want to keep doing it, check out your local art galleries. You would be surprised at how many are more than willing to not only display your work, but to sell it for you. I know it's a big step for some of you, but it will help your confidence level to do so. It doesn't mean you will sell tons, but it doesn't mean you won't, either. Can't afford a tent? No biggie. Find some shows that are inside, and not all shows are expensive. Shoot, I have to save money just to accumulate enough to do the shows I do! You can do it, too. Whatever it takes, right?

And it depends on where your gallery is at. Tourist areas are the best, because out-of-towners like to take something home with them that reminds them of their trip. I have some work in a local gallery and don't sell a lot there, but once in a while a piece or two goes home with a new owner. It's the exposure and the wonderful feeling I get when something finds a new home! Getting a check translates not only into money, but into the pleasure of knowing someone else valued my work. I also have work in a rock shop some miles away, just as another suggestion.

My point is, don't give up. If you are struggling, put your work in a shop somewhere and value your own work. If you don't, no one else will. This was probably the most difficult thing for me to absorb...that I was worth it...that my work was worth it. The struggle builds character, and character creates value. Not just the value in your work, but the value in yourself. Value yourself. Feel good about YOU, not just about what you do, but if it takes valuing your work first, start there. Then, let it seep into your soul until you can place value in yourself.

imagesI love you all, and am so grateful for all of you that are in my life or are just reading this blog! Remember, value comes from within. Now...never give up! Never, ever give up!
Stay Wired Up! Gail

Sunday, October 5, 2014

To Seal or Not To Seal; That is the Question.

This necklace was sealed twice.
I know a lot of you are reading the posts about using sealers, so I want to pose this question to you all, and to others that create or collect beautiful cabochons. Here is why.

I choose to seal almost all of my jewelry projects with ProtectaClear to help protect the patina of the wire and to make my copper and sterling silver more desirable to buyers. I have done lots of shows where people love the antiqued copper but are afraid to buy until...I tell them I sealed it and discoloration should not be as big of an issue as they think. I do not lie to them. Sometimes discoloration does still happen, even though it might not be to the extent as it would had it not been sealed. And...I will reseal my items a second time for free if requested, and before it is shipped. Buyer's discretion.

Some are afraid of copper turning their skin green. Some are afraid it won't hold it's color over time, and with sterling...well, the normal customer just doesn't want to deal with keeping sterling bright. Those issues and the issue of sensitive skin is why I started to seal my jewelry, even those that contain show or gem quality stones.
This was sealed once.

I want to know what "you" think about this. When the normal person buys a piece, they want it sealed. But out there are people who "collect." What I want to know is what do you think? Do you think that show quality or gem quality rocks should be sealed? And if not, is it because you believe it will harm its value?

I want to hear from you. I will post all comments (unless you write really naughty comments that others might not want to read). I am impartial here, but this is something that I, personally, want to know from my readers. Let me know what you think, and I thank you for your time in advance.

You know what I always say...Stay Wired Up!!

Tuesday, September 9, 2014

My Sealing Setup; Or How To Make the Most Out of Limited Space

Hey, I'm back! Just like a penny, you can't get rid of me. The moved sucked a lot out of me, but I decided "not" to let it get me down, and now I need to catch up.

I still get a lot of questions about sealers, what to use, what it means to "seal" a jewelry piece, and my set up. So...I decided to let you in on a little secret of mine in relation to my setup. I use about 2 foot of space in my (what used to be my) kitchen to patina and seal my hand crafted jewelry. Here it is:

This is my little setup and it actually works quite well for the space I had available to me. I lived in 525 square feet, so I had to make the best of what I had! Just to be clear, the items in the background that aren't on the towel were "not" part of the setup. That's normal kitchen stuff, of course. I suppose you could use a blender, but the end result would not be pretty...enough humor.

The wide mouth glass jars to the left are what I keep my ProtectaClear sealer and gun blue in. FYI, I got them at Michaels in the wedding department. They were $5 each and have a good seal in them. That is a must, especially when storing gun blue. I stored the gun blue in a plastic container for a while and it seemed to sweat or something and became a little too messy for me. You don't want to store your ProtectaClear in plastic either. It is a solvent based product, and according to the manufacturers plastic storage is not a good idea. They recommended glass to me when I talked to them so that is what I use.

You will also want to keep a supply of paper towels around. I buy them in bulk and write them off, cause I use a ton of them. Of course you will want gloves of some sort. I will tell you this, You might want to get them in bulk, too. The ProtectaClear can eat through those pretty quickly, at least the way I work. I am a slob and get stuff everywhere. If you are pretty careful not to get ProtectaClear on your gloves, they will last. I tried regular kitchen rubber gloves and they lasted longer, but like I said I am touchy feely, so my gloves don't last very long at all. We should all probably invest in some lightweight chemical gloves, right? Oh, don't get me wrong. The ProtectClear is non-toxic! It just likes to make dinner out of latex, rubber, or plastic.

Next up is my 3-tier bracelet holder. I wrap wax paper around the arms and tape it. When I dip bracelets or necklaces, they hang from there to dry or cure. As gooey as ProtectaClear is, it doesn't stick to the wax paper. Yeah!

I also use a couple of handmade hooks. I made these out of 18 or 16 gauge wire and use them to retrieve the jewelry pieces from jars. You can make them as short or long as you want, and you can use them over and over.

The entire set up is on two layers of old towels (I'm paranoid and I rent!) and a layer of wax paper. I keep several layers of paper towels next to the jars. After dipping, whether in gun blue, LOS, or ProtectaClear, you want to dab off the excess on the paper towels. I let the piece hang on the hook for a few seconds over the jar, because waste not want not. Then I place it on the paper towels face up for just a few seconds to soak up any remaining extra, and place the item on the bracelet holder.

What about earrings, you say? I use the cupboard knobs over my work area and a nice metal shirt hanger. I hang the hanger from the cupboard over the wax paper area, and wallah! Earrings will dry like a dream floating in the air.

The really great thing about a set up like this is it's easy to use and easy to store. I leave the wax paper on the bracelet holder for several uses. I just rotate it around the arms until it looks spent. That goes in the closet...or behind the sofa. The jars, lids tight, go back in the cupboards. If you have kids, you might want to label them poison and put them up where they can't get to them, but then you probably already knew that. My gloves, if they lived, stay on the towels and wax paper, as do the hooks, and any reusable paper towels. I fold them all up together and put them in a drawer or on my work table till next time. No need to waste the wax paper. It's good for several uses. Oh, and you can write that off, too.

So, see, it isn't that complicated. All you need is:
2 feet of counter space
Glass jars with a good seal
1 or 2 old towels
Paper towels
Wax paper
Bracelet holder of some sort
Rubber or latex gloves
1 or 2 handmade wire hooks
Gun blue, LOS, and sealer
An understanding husband, partner, or roommate (this one is essential!!)

Have fun and Stay Wired Up!!

Friday, July 18, 2014


I have been so busy with things going on in my life I haven't had time to write. But now...I really feel I need to take the time. This won't be my usual blog, informative, instructional, etc., but instead I am going to rant...just a little, and I hope you will bear with me.

Disillusionment you say? Yep. My disillusionment comes from what is going on with people in my social world, or actually with peeps in general. Let me expound. I will do this in generalities, but you will get the gist.

For the most part, we all work really hard to get along on social media, as it is not only a place to connect, but a good way to market what we do. We tolerate a little bit of emotional fluctuation from our friends and the little outbursts that come with day to day life situations, because we "are" their friends. We do our best to soothe those of us that aren't feeling well or have had tragedy in their lives. We like to join in the fun and the jokes others present to us, and we respond to each others art positively and constructively. Well...most of us do most of the time.

What I see happening over and over, and not in huge numbers but enough to disturb me, is the attacks that come from inside our group, one against another. Having been a student of psychology, both animal and human, I understand the "whys" of what makes it happens. What I don't understand is just this:

For the life of me, I don't understand what makes people think they have the right to attack or make fun of someone, regardless of who they are or what they are doing. Perfection is illusive to "all" of us, not just some of us. Most of us have become who we are through things that have happened in our lives in our past and/or is genetically driven. Most of that is what makes us good, great, or superior artists. Some of it makes us good business people. Some makes us sensitive and vulnerable. Some of it makes some of us feel entitled and angry, or feel inferior to others.

Some of us use flowery expressive speech, while some of us are strictly Type A and demand the short version of the truth. Some of us are recovering Type A and have learned to love flowery speech, never intending to harm another. So what is the truth? Let's do a short examination of the truth.

Truth is most often used to mean being in accord with fact or reality. The truth is the truth, regardless of how you say it, whether you color it up with adjectives and adverbs or not. It is still the truth if it represents fact or we see it or know it. But as long as a person isn't purposely misleading someone for whatever personal reason, what's the point in attacking that person. The last time I looked, it was still a free country, and we still have the power of free speech. Otherwise, I wouldn't be able to put this to paper, or internet, or blog, or whatever.

Another thing that has brought me to tears recently (and yeah, I'm talkin' real tears here!) is that there are those that join in someone's tirade against one of their (our) own, for whatever reason they use to justify their nonconstructive criticism .'s a big one...have you, as a human begin, ever tried to get into another person's skin before you've criticized them? Have you asked pertinent questions to get to know the person you have an issue with? or do you just go off?

Everyone does what the do a certain way for a reason, and before you attack perhaps you should get to know that person better, ask some questions, get to know them to find out what makes them tick, what makes them do the things they do. Maybe they just need approval, maybe they don't feel well, maybe they have issues at home, or maybe they struggle with being financially stable.

Whatever this person has done to irritate you, you have an ethical and moral responsibility to resolve the issue one on one first. I challenge you to be better at this. I challenge you! When something happens that irritates you, sit back, take a deep breath, and ask yourself, "Does this person need me in some way? What makes them who they are? What makes them tick? What made they do this thing that rubbed me the wrong way?" If you can't or won't do that, then I challenge to look at your own morality and ethics.

Hey, I've been guilty of it, too. But I try to work hard not to get caught up in this destructive behavior anymore. Do I still get caught up? Yes, if I'm not careful I do, and I hate myself later for it and I try to make it right with those I stupidly wronged. Does that make me think I'm perfect. Heck no!!! But it does put me on a path of less malignant behavior and on a path of more positive, nurturing behavior.

If I could have one thing in this world, it would be for people to foresee how their words or actions can hurt or even emotionally destroy another human being. As artists, most of us are pretty sensitive, so this isn't hard to do. Social media has been a breeding ground that allows negative behavior to spill out all over the place, and it is happening more and more all the time.

People used to have to confront another person face to face if there was an issue. What do you want to bet that confrontations didn't happen very often? Now, with email and social media, those that would spread their venom have a quick and painless (for them) way to spread their negativity all over the place, and they thrive on it, like a dog is attracted to its own vomit. Sorry, that was pretty harsh, but true.

Again, I challenge you all! Before you "like" or comment on something negative, stop yourself and think about what your are doing, and what it might do to another person, one of your "friends," one of your peers. Have you done all you can do to understand who that person is? Have you truly made an effort to get to know that person? or have you chosen a bitter and self-destructive lifestyle that can and will come back to haunt you?

There is an old saying that goes like this: What goes around, comes around. And I can tell you from personal's true.

I would say my usual Stay Wired Up, but I think that would be disrespectful after all this. Thanks for letting me speak. Comments are welcome, but if they are completely caustic or mention names, they will be deleted. You have the right to right them, but I have the right to get rid of them. Thanks guys!

Saturday, May 10, 2014

What the Heck is a Soumak Weave?

There have had a lot of questions about the Soumak weave, and the variations of it that I use when weaving wire. So, I've decided there is no time like the present to cover this subject.

I discovered the Soumak weave in a tutorial on YouTube when I was first researching different types of weaves I could do with wire. I have to credit Beadaholique here, and this is a link to that tutorial: .

I watched this video about 20 times, or until I came up with a variation I could live with that would work with wire. Don't get me wrong here. I probably didn't come up with anything that original, but having not been formally trained in wire weaving, this technique was new to me and I adopted it. I still use it to this day.

The Soumak weave goes back centuries, some rug experts say as early as 2000 BC. It was used in linen, as well as wool weaving. It has been used to some extent in weaving of all sorts to this day. Here is a diagram I found on the web that pretty well describes the Soumak and how it is achieved.

Diagram credit: Barbara M. Berk

As you can see, it is what I call and up and down weave. Let me describe it in "wire-ease" to make it easier to understand for the wire weaver, and I will include some photos for all you visual folks. I am going to assume that you already know how to do some basic wire weaving, so if you have questions I don't address here, feel free to message me.

 Using the above diagram, you are going to go two wires up and loop, go two wires more and loop, go two wires more and loop until you are up to the top wire. You will make another single loop on the top wire, cross over the second wire down, and go two wires down and loop, two wires down and loop, continuing to the bottom. Just follow the diagram above and you will have a true Soumak.

The variation I use the most is shown in my series of photos here. This is the weave you have all asked to see done. I begin the same way as the diagram above.

I start out by making three rounds (Step 1) around the bottom wire. (I am using 18 gauge frame wires and weaving with 26 gauge.) Step 2: Take your weave wire up and around the second wire. Pull your wire between the first and second frame wire towards you, as seen here. Go up and around the second and third frame wire.

In Step 3, you continue the weave by bringing the wire towards you between the second and third frame wire. Take the weave wire over and around frame wire 3 and 4. Then toward you between wire 3 and 4.

  Repeat the pattern for the fourth and fifth frame wire. Your first "up" round should look like the Step 4 picture.

In this step, you will bring the wire towards you around wire 5 and between wire 4 and 5 and up and around wire 5 again. Just like in this photo.

At this point, you are going to reverse your thinking, and take the weave wire down two wire in the back of the frame wire, and bring it between wire 4 and and 3 towards you.

Take the weave wire around the fourth wire, as seen here. You will continue this pattern until you get to the bottom wire again.

You have just completed one full round of two-up and two-down. I hope this makes sense. And you will probably recognize the weave if you've been working with wire for any length of time. A lot of wire workers use this same weave. We just all call it something different.

You can now repeat the pattern as much as you want, making sure to push your stitches together tightly as you work.

Here is what round 2 going up the frame should look like.

Here, I have done three rounds and pushed the stitches together. 
This is the weave I use to make a lot of my bracelets.


The absolutely cool thing about this weave is that is is the same on the back as it is on the front. This is a pic of the back. Neat, huh? The idea...not my!

Oh, and that is my ring vice holding the wires. That is my favorite tool in the whole world, when I am weaving. I wedge that little bugger in between my left elbow and my side and have both my left hand and right hand free to separate wires and keep my weaving flowing and smooth.

That's about all I have to say about that for now. I hope this was informative and gives you an idea of how to do this particular variation of the Soumak Weave. If you have any questions or comments, be sure to let me know, and I will do my best to answer them in a timely manner.

Hugs to you all, and remember to Stay Wired Up!!!